From American Internet Celebrity to God Among Men

174: Chapter 174 The Parable of the Door and the Ripples Before its ReleaseSeven days after the official contract was signed, Alex received his first formal assignment as a ”Non-Resident Perception Consultant”: a small, multi-encrypted data packet containing five sanitized audio clips and a concise technical background note.

The note read: ”Sample origin: Records of ’non-standard electromagnetic disturbances’ from various historical periods and geographical environments, processed via frequency reduction and filtering. Please evaluate the tendency of each sample in terms of ’emotional/intentional color’ (e.g., calm/disturbed, ordered/chaotic, directional/diffuse, etc.) and provide an ’abnormal perception intensity’ score from 0-10. This is a routine perception calibration and data collection for this quarter.”

It lacked the earth-shattering impact of the Icefield Pulse; it was more like a standardized ”perception ability test.” Alex understood that K was establishing baseline data for him as a ”sensor,” while simultaneously testing the stability and consistency of his abilities.

He did not process them at the office, but brought them back to his Malibu home. In the evening, in his perfectly quiet studio, he listened to them one by one. Sample A sounded like the rhythmic ticking of an old radar scan, but with imperceptible, minute irregularities in the rhythm; Sample B was a continuous low-frequency hum, interspersed with extremely subtle, chirping-like frequency modulations; Sample C was a fragment that defied categorization, as if various noises were randomly superimposed and only occasionally synchronized...

He closed his eyes, combining his Energy Perception with the budding Information Texture Discrimination to ”touch” the energy contours and ”colors” behind these sounds. Sample A gave him a sense of ”weary vigilance,” with an abnormal intensity score of 6; Sample B felt like ”sleep-talking,” with an intensity of 4; while Sample C was purely ”chaotic noise,” with almost no structural color at all, and an intensity of 2...

He spent nearly two hours completing the assessment and sent the encrypted results back. The process was calm, even a bit tedious, but Alex was very serious. He knew that establishing a reliable data baseline was crucial for the long-term cooperation between himself and K. More importantly, during this process, he gained new insights into the fine-tuned control of his abilities.

On the platform, submissions for the ”Door” theme were pouring in. The operations team had already pre-selected some highly creative works: someone recorded dozens of real door-opening and closing sounds from different materials, eras, and locations, combining them into a ”Symphony of Doors”; someone used sound effects to simulate a fantastical soundscape of ”pushing open a door to another world”; and a psychologist even submitted a piece using slow heartbeats, gradually accelerating breathing, and a final sigh of relief to interpret the process of ”opening one’s heart.”

As Alex browsed these works, while admiring the users’ imagination, he also vaguely felt that this theme seemed to touch upon the universal human emotions regarding ”boundaries,” ”choices,” and ”transcendence.” He instructed the team to appropriately guide discussions on these insights during live reviews, so that the challenge would not just be a competition of sound techniques, but could also spark some beneficial reflection.

The soundtrack for ”city of instantaneity: Sound Travelogue” entered the final pre-release hype phase. Universal Music arranged for several core music media outlets to conduct listening sessions and exclusive interviews. Alex and Taylor jointly accepted a video interview with one of the authoritative magazines. They avoided the arcane discussions of film technology and instead shared more about the creative philosophy of how sound serves as an emotional carrier and narrative partner, as well as the thoughts on vulnerability and resilience behind the special track ”Nesting in the Shimmer.” After the interview article was published, the response was excellent, further boosting anticipation for the album.

It was decided that Taylor’s ”beyond the frequency” would be released as an independent digital single one week before the film soundtrack, serving as a ”prelude” or ”profile” in a sense. The promotional copy was written by Taylor herself, consisting of only one sentence: ”Dedicated to everyone who can still hear each other’s frequency in the silence.” It didn’t mention the icefield, didn’t play up the separation, yet it precisely struck a chord with the core fans who followed them and could feel the special texture in the song. Pre-orders climbed rapidly.

That afternoon, Alex and Taylor held the second monthly progress meeting with the three selectees of the ”Creator Incubation Program” at the Echo Vision headquarters. Emily’s interactive sound program for her brother already had a testable early version with good feedback; Karl’s ”Mechanical Symphony” installation, made from scrap materials, was invited to a small modern art exhibition; and Leslie’s endangered creature sound library reached a preliminary cooperation agreement with a nature documentary team. Seeing that their support was truly helping ordinary people turn their whimsical ideas into reality, both Alex and Taylor felt genuinely happy.

”This is the meaning of the ’Door’,” Alex said to Taylor after the meeting concluded. ”We build platforms, design challenges, and provide resources, all in the hope of becoming ’doors’ that help talented and imaginative people push through the wall that separates their dreams from reality.”

Taylor nodded, linking her arm with his: ”And, once pushed open, the scenery behind the door belongs to them. We are just... the ones who open the door.”

The heartwarming moment was interrupted by Marcus’s slightly serious expression. He pulled Alex aside and whispered: ”Boss, we’ve monitored some unusual public opinion trends. Several anonymous industry commentary accounts have suddenly started focusing on ’the erosion of creative purity by excessive commercialization.’ Although they didn’t name names, the cited cases and rhetoric subtly point to our ’Echo Blind Box’ reward mechanism and the ’Creator Incubation Program,’ implying that we are using capital and traffic to ’co-opt’ independent creativity, causing it to lose its ’wild’ vitality.”

Alex raised an eyebrow. Commercial success is often accompanied by controversy; this was not unexpected. But the timing, right before the film soundtrack and Taylor’s new song release, and the roundabout, subtle methods, clearly indicated this was not random.

”Check the recent engagement data of these accounts and any potential connections behind them. Also, have the PR and legal teams prepare a statement regarding our platform’s principle of ’respecting originality, empowering rather than co-opting.’ Don’t respond directly, but keep it on standby,” Alex instructed. ”At the same time, notify the operations for ’Echo Puzzle’ and ’Echo Blind Box’ that the next theme or reward settings should appropriately include some elements that emphasize ’artistic expression autonomy’ and ’non-utilitarian creation’ as a soft response.”

He didn’t want to get dragged into a war of public opinion, but necessary defense and posture adjustments were indispensable. A prominent empire in the sun attracts the wind; he had been prepared for this.

Returning home in the evening, Alex told Taylor about this minor incident. After listening, Taylor laughed instead: ”This shows we’ve really made it big, and people are starting to study us as a ’phenomenon’ or even a ’target.’ Back when we were small-time, who would have cared?”

”Makes sense.” Alex also smiled, putting his arm around her shoulder. ”However, the feeling of being studied is definitely not as good as the feeling of being liked.”

”Then let better works speak for themselves.” Taylor leaned against him, full of confidence. ”Your film soundtrack, my new song, and the truly excellent user creations on the platform are more powerful than any PR article.”

A few days later, K gave feedback on Alex’s initial ”perception assessment,” equally concise: ”Data recorded. Score distribution is largely consistent with internal model expectations. ’Color’ description terminology library will be updated. Thank you. Next assessment expected in two months.”

The cooperation started steadily, without surprises, and without accidents. This was exactly what Alex wanted at this stage—a controlled, gradual, and limited contact with the hidden world.

On Saturday, the two didn’t schedule any work, but spent half a day tidying up the studio in their Malibu home. They put equipment back in place, cleaned off dust, discarded unnecessary clutter, and even readjusted the positioning of the studio monitors. The process was trivial, yet it gave them a sense of stability in managing their little nest together. Taylor dug out some old creative manuscripts and demo tapes, and as they organized, they reminisced about those times, laughter filling the room.

Halfway through, Taylor suddenly held up an old, unlabeled cassette tape: ”Hey, what is this? I have no memory of it.”

Alex took it, looked at it, and shook his head too. Their curiosity piqued, they found an old, working Walkman and put on headphones to listen together.

The recording on the cassette was actually a snippet of a jam session in the studio from several years ago, just after they had met. Green, awkward singing, off-key jokes, mixed with conversations that were slightly stiff and full of tentative exploration, back when they were just ordinary friends.

Listening to their past selves, the two looked at each other and couldn’t help but laugh out loud.

”God, I played the guitar so badly back then.” Taylor covered her face.

”I didn’t sing any better.” Alex shook his head. ”But you told me back then that my chord progression was ’very special,’ and I remembered that for a long time.”

”Because it really was special,” Taylor’s eyes softened. ”It still is.”

They listened to the entire cassette in silence, as if passing through a ”door” of time, looking back at the path they had traveled. Then, Alex gently pressed the stop button.

”Should we keep it safe?” Taylor asked.

”Of course.” Alex carefully placed the cassette back into a clean box. ”This is one of our ’origin sound sources’.”

After tidying up, the studio looked brand new. As the sun set, the two sat on the terrace to rest. Alex’s Energy Perception naturally enveloped this space that belonged to them; he could ”feel” that every piece of equipment, every sheet of music, and even the dust of inspiration floating in the air, were all emitting a stable and potential-filled shimmer of energy. This was his ”sanctuary” for creation and perception, and also the ”anchor point” for his emotional connection with Taylor.

In the distance, the city lights lit up one by one. The ripples of public opinion, the secrets of cooperation, the challenges of the platform, the release of works... all the threads were interwoven and moving forward. And here, amidst the sound of the Pacific wind and each other’s breathing, Alex felt a deep sense of calm and strength.

He had grasped the balance between light and darkness, and was also guarding the most precious frequency in his heart.