From American Internet Celebrity to God Among Men

161: Chapter 161 The Crowning of Starlight and the Light of the Way HomeThe first ”Monthly Echo Star” awards livestream was crafted by Alex into an online celebration full of ritual.

He did not choose a conventional studio, but instead set the location in a warehouse converted into a temporary art gallery.

In the center of the gallery, physical manifestations of the many outstanding works from ”Echo Puzzle” and ”Echo Blind Box” over the past month were displayed: the prototype of the award-winning ”Rusted Music Box” installation art, an immersive light and shadow sound installation created based on ”Emotional Color” submissions, and even a ”Mechanical Symphony” sculpture made by users from scrap parts...

This was no longer just virtual data, but a tangible, wonderful space condensed from the creativity of countless ordinary people.

The livestream started at 8:00 PM.

Alex and Taylor wore well-tailored but not overly formal clothing, looking more like guides than hosts.

They led the millions of viewers in front of the camera to ”stroll” through the gallery.

Every time they reached a piece of work, they played its original submission, told the story behind the creation, and invited the creator to join the stream.

The process was full of surprises and touching moments:

A fisherman from Iceland, whose recording of ”the sound of floating ice cracking under the aurora” won ”Best Nature Sound,” connected via satellite phone.

With the sound of whistling wind in the background, he laughed honestly and said he never expected the sounds he heard every day to win an award, and that he would use the prize money to buy musical instruments for his daughter’s school.

In the ”Sound Portrait” challenge, the sister who created a ”Quiet World” sound portrait for her autistic brother won.

She choked up as she recounted how her brother understood the surrounding environment better through the sound clips she recorded, and how the platform’s recognition and resources gave her the confidence to develop this small project into a tool to help more special children.

The winner of ”Interdimensional Mashup,” a talented animation voice-acting enthusiast who had always worked a minor office job, was incoherent with excitement during the call.

Alex announced on the spot that the content production department under ”Echo Vision” would provide him with a three-month voice-acting internship, with the possibility of participating in the platform’s future short animation projects.

In front of the camera, the man, nearly thirty years old, covered his face, his shoulders heaving, and countless viewers sent blessings and ”Go for it” messages in the barrage.

The climax was the presentation of the only ”Monthly Echo Star” grand prize.

The winner was ”City Wanderer” Sarah, due to her continuous high-quality urban soundscape recordings and the huge potential shown by the prototype of the ”Urban Chant” sound installation project she collaborated on with Alex’s team.

Sarah herself came to the scene.

When she received the star-shaped trophy made of recycled metal and glass, symbolizing sound and creativity, from Alex and Taylor, she had tears in her eyes under the spotlight, yet her smile was bright.

”This award belongs to everyone who still listens and records with their heart in the cracks of the city,” she said, ” ’Echo’ gave us an amplifier, and what we need to do is continue to capture those subtle, real echoes.”

This livestream had no exaggerated stage effects, but it had the most real emotions and the power of dreams coming true.

It announced to everyone: in the ”Echo” ecosystem, creativity truly has value, talent can truly be seen, and the passion of ordinary people can truly light up the sky.

The peak viewership of the livestream set a record, related topics swept social networks, and the stories of the ”Monthly Echo Star” and those winners became the talk of the town for the following week.

The platform’s reputation and user loyalty reached an unprecedented height.

The work in the editing room also reached a key highlight moment.

The most complex scene in the movie, known as the activation of the ”Ark of Consciousness,” encountered a bottleneck in visual effects and editing.

The visuals were gorgeous and dazzling, but it always felt like it was missing a core force to ”condense” all its elements and push it to an emotional peak.

For several days, the atmosphere in the editing room was somewhat dull.

After repeatedly watching the rough cut, Alex proposed a bold idea: ”We have always designed the sound of the ’Ark of Consciousness’ to be too ’technological’ and ’grand narrative.’ But it is essentially a refuge for the final consciousness of humanity, a combination of extreme fragility and extreme resilience. I want to try a completely different direction.”

He asked the team to put aside all existing sound effect materials for the time being and keep only the visuals.

Then, he closed his eyes, [Energy Perception] fully activated, not to analyze, but to ”feel” the core emotion of this sequence of images—that of being on the verge of destruction yet holding onto hope.

He translated this feeling into an imagination for sound.

”I need a sound,” Alex opened his eyes and said to Zack and the team, ”Initially, it should be extremely faint, almost drowned out by the noise of the ’Data Torrent’ and the wailing of the ’Graveyard of Memories,’ like a candle in the wind.”

”But it must have a unique ’purity,’ a ’pulsation’ that is almost biological instinct, not relying on any technological timbre.”

”Then, as the ’Ark’ activates, it should gradually strengthen, but not become loud; rather, it should become... ’clear’ and ’solid,’ like a heartbeat being amplified, like countless whispers converging into a silent song.”

”The final climax is not an explosion, but the fading away of all chaotic sounds, leaving only this pure ’pulsation’ merging with the simplest, perhaps a child’s, meaningless but hopeful humming.”

This description was so metaphorical, yet it pointed straight to the core.

Zack was silent for a long time, then nodded: ”Make it. You have two days.”

Alex did not leave the editing room.

He and the sound designer tried countless synthetic timbres, sampling combinations, and even tried recording the breathing and heartbeats of Taylor and himself in different moods, but it was always missing that ”feeling.”

Until late at night, when inspiration ran dry, Alex inadvertently pressed his hand on the monitor speaker, feeling its subtle vibrations while working, and [Energy Perception] captured a trace of extremely stable ”sense of life” belonging to precision machinery in that vibration.

He suddenly remembered the ”crystal collision”-like abnormal sound texture captured by the old Nagra tape in the ”Spirit of the Wasteland” comparison sample.

That texture carried a non-human, yet incredibly pure ”order” and ”sense of existence.”

He immediately asked the team to pull up that safety-processed sample, perform significant deceleration, filtering, and looping, strip away its potential dangerous characteristics, and only extract the unique texture of ”pure orderly vibration” as a base.

Then, he stepped up himself and, in the simplest way, hummed a tune without any lyrics, with an extremely simple melody but full of an upward-reaching feeling, and fused and modulated it with the processed ”vibration base.”

When this brand new, indescribable ”Ark of Consciousness Core Sound” sounded in the editing room and played in sync with the visuals, the whole room fell silent.

The sound was indeed as Alex described: faint as a hallucination at first, gradually strengthening like a waking heartbeat, and finally, when the child-like humming (recorded later by Taylor) merged in, a grand compassion that transcended technology and life, despair and hope, surged forth.

The visual effects director let out a long sigh of relief: ”...That’s it. It ’glued’ the visuals together and gave it a soul.”

Zack Snyder said nothing, just patted Alex on the shoulder hard and nodded heavily.

Everything went without saying.

In this battle, Alex’s position in the core creative team of the movie was completely solidified.

His name would indisputably appear in the key position of the movie’s sound design.

Carrying this fatigue and satisfaction of success, Alex returned to Malibu on the weekend evening.

Taylor had already prepared everything.

There was no grand celebration, just a home-cooked meal, and after dinner, the two curled up on the sofa to watch a relaxing old movie.

During the movie, Taylor leaned on his shoulder and whispered: ”Sarah sent me a message today, saying the venue for ’Urban Chant’ has been settled at a very famous art center. She thanks you, saying that without that ’Blind Box’ afternoon, none of this would have happened.”

”It was she who caught the light herself,” Alex held her, feeling this quiet warmth, ”We just... provided the lens to discover the light.”

Outside the window, the Pacific Ocean whispered in the night.

Alex relaxed his mind, and [Energy Perception] flowed as naturally as breathing.

The home’s energy field was warm and stable, the pulse of the distant city beat regularly, and that ”abnormal frequency” that had appeared occasionally seemed to have completely subsided tonight, perhaps because The Architect’s countermeasure had taken effect, or perhaps the other party had temporarily ceased hostilities.

He did not completely let his guard down, but at this moment, he was more willing to immerse himself in this solid sense of happiness built by countless creativity, professional success, and intimate relationships.

This ”path to godhood under the spotlight” became increasingly brilliant and worth guarding because of these real and warm connections.