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The Versatile Master Artist

Chapter 543 - 253: The Magic Power of a Smile (Part 3) · Nov 04, 2026

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Chapter List (715)

Page number / 15

501 Chapter 501 243: Tribute to Kara 2026-11-04
502 Chapter 502 243: Salute to Kara (2) 2026-11-04
503 Chapter 503 - 243: Tribute to Kara_3 2026-11-04
504 Chapter 504 - 243: Tribute to Kara (4) 2026-11-04
505 Chapter 505 - 244: Anna’s Major Discovery 2026-11-04
506 Chapter 506 - 244: Anna’s Major Discovery 2026-11-04
507 Chapter 507 - 244: Anna’s Great Discovery 2026-11-04
508 Chapter 508 - 244: Anna’s Major Discovery 2026-11-04
509 Chapter 509 - 245: Anna’s Encouragement 2026-11-04
510 Chapter 510 - 245: Anna’s Encouragement (2) 2026-11-04
511 Chapter 511 - 245: Anna’s Encouragement (Part 3) 2026-11-04
512 Chapter 512 - 245: Anna’s Encouragement_4 2026-11-04
513 Chapter 513 - 246: Who the Hell Is Detective Cat? 2026-11-04
514 Chapter 514 - 246: Who the Hell Is Detective Cat?_2 2026-11-04
515 Chapter 515 - 246: Who the Hell Is Detective Cat?_3 2026-11-04
516 Chapter 516 - 246: Who the Hell Is Detective Cat? _4 2026-11-04
517 Chapter 517 - 247: End of the Shareholders’ Meeting and Publicity Campaign 2026-11-04
518 Chapter 518 - 247: End of the Shareholders’ Meeting and Promotion Campaign (Part 2) 2026-11-04
519 Chapter 519 - 247: End of the Shareholders’ Meeting and Publicity Campaign (Part 3) 2026-11-04
520 Chapter 520 - 247: End of the Shareholders’ Meeting and Publicity Campaign_4 2026-11-04
521 Chapter 521 - 248: Painting Cats 2026-11-04
522 Chapter 522 - 248: Drawing Cats (2) 2026-11-04
523 Chapter 523 - 248: Drawing Cats_3 2026-11-04
524 Chapter 524 - 248: Drawing Cats_4 2026-11-04
525 Chapter 525 - 249: Shortcut to Venice 2026-11-04
526 Chapter 526 - 249: Shortcut to Venice (Part 2) 2026-11-04
527 Chapter 527 - 249: Shortcut to Venice_3 2026-11-04
528 Chapter 528 - 249: Shortcut to Venice (Part 4) 2026-11-04
529 Chapter 529 - 250: Syringe Drawing 2026-11-04
530 Chapter 530 - 250: Syringe Sketches_2 2026-11-04
531 Chapter 531 - 250: Technical Drawing with Needlepoint Pen (Part 3) 2026-11-04
532 Chapter 532 - 250: Technical Pen Drawing (Part 4) 2026-11-04
533 Chapter 533 - 251: Breakthrough and Mastery of Fusion Painting 2026-11-04
534 Chapter 534 - 251: Breakthrough and Mastery of Fusion Painting (2) 2026-11-04
535 Chapter 535 - 251: Breaking Through and Mastering Fusion Painting_3 2026-11-04
536 Chapter 536 - 251: Breakthrough and Mastery of Fusion Painting (4) 2026-11-04
537 Chapter 537 - 252: Exhibition Arrangements and Trailer Launch 2026-11-04
538 Chapter 538 - 252: Exhibition Arrangements and Trailer Launch (Part 2) 2026-11-04
539 Chapter 539 - 252: Exhibition Arrangements and Promotional Video Launch_3 2026-11-04
540 Chapter 540 - 252: Exhibition Arrangements and Promotional Video Release (Part 4) 2026-11-04
541 Chapter 541 - 253: The Magic Power of a Smile 2026-11-04
542 Chapter 542 - 253: The Magic Power of a Smile (Part 2) 2026-11-04
543 Chapter 543 - 253: The Magic Power of a Smile (Part 3) 2026-11-04
544 Chapter 544 - 253: The Magic Power of a Smile (Part 4) 2026-11-04
545 Chapter 545 - 254: Before Dawn 2026-11-04
546 Chapter 546 - 254: Before Dawn (2) 2026-11-04
547 Chapter 547 - 255: Public Opinion 2026-11-04
548 Chapter 548 - 255: Public Opinion (2) 2026-11-04
549 Chapter 549 - 255: Public Opinion_3 2026-11-04
550 Chapter 550 256: Little Prince Launches 2026-11-04

Early Western painters had a crucial political task, which was to create propaganda artworks, serving as a mouthpiece and amplifier for the Church Court.

The creativity of the paintings was not particularly innovative.

They merely expressed that no matter how difficult life was, the Celestial Father loved all humanity, and when the radiance from the Celestial Kingdom shone down, peace and joy would naturally arise.

In that era, the protagonists of religious paintings were, of course, always white people.

Miss Shengzi still felt that the expression on the black girl’s face was so similar to that of the protagonist in the religious revelation painting.

A smile from the heart, pure and spotless; this description was extremely fitting for this time and place.

Children’s books are a divine revelation for kids.

The way children see the beauty of art, the fascination and happiness reflected in their eyes and expressions.

Painters like Koizumi Katsuko, no matter how many times they have seen such paintings, can never see enough.

”Mr. Gu, this smile is so adorable. If one day I could create a painting that makes a child smile like this, it would certainly be one of the most meaningful works of my life.”

Koizumi Katsuko said, holding her heart.

Gu Weijing did not respond. From the moment the blonde girl took out the children’s book, his expression turned peculiar, silently watching the screen.

On the other hand, Little Girl Mo Li, who was busy stuffing fingers-sized French ham buns into her mouth, was also captivated by the close-up of that smile.

She blinked her eyes and curiously asked, ”Sister, what is the book that girl is holding?”

Upon hearing Jasmine’s question.

Koizumi Katsuko wanted to pause the screen and save this smile as painting inspiration in her phone.

She was also very curious about the name of this children’s book that transformed a girl’s tears into a smile.

Which children’s book is it, and what kind of cover art would achieve such an effect?

Has Jean Arnou cooperated with Scholastic Group to launch a new book?

Or is there nothing special about the children’s book?

Was it just the right timing, location, and human connection that formed a coincidental moment that touched this little girl?

Koizumi Katsuko pressed the screen and found no pause option. Instead, it jumped to Scholastic Group’s promotional homepage on Amazon, which made her suddenly realize this was an unpausable advertisement.

She quickly returned to the page, wanting to simultaneously press the volume and menu buttons to screenshot the screen.

Regrettably.

At that very moment, the advertisement went dark again, entering a new slogan.

[Scholastic Publishing Group, where children meet a wonderful world in books.]

The live-action segment about the black girl concluded.

When it lit up again, the screen began to air the only computer-generated special effects shot in the commercial.

Inside a huge bookstore.

The video quickly pushed through the shelves, and every book in the footage was a classic title produced by Scholastic Group.

”Harry Potter and the Philosopher’s Stone,” ”Greenfield Miracle,” ”Train Bazaar,” ”World War II Memoirs”...

Countless famous literary IPs swept by the lens.

The speed of the passing lens accelerated.

At first, you could still see the entire book covers, but later, only a blurry shadow remained. Until the scene finally lingered on the cover of the book in the little girl’s hands.

”This is...” Koizumi Katsuko widened her eyes, trying to see the book’s name clearly, murmuring to herself.

The advertisement lens briefly paused, then instantly sank, diving into the book cover.

Allowing the golden sand on the illustration to occupy every corner of the screen.

Previously, the slogans were black text against gold background, and now the ad team cleverly inverted it, turning it into black text written on golden sand, leaving a deeper impression on the audience.

[Easter Book Season, Scholastic Group’s featured title, launching shockingly on March 25th.]

[Available at major book retailers, Amazon’s e-commerce platform.]

[See you there!]>

The commercial officially ended just perfectly within thirty seconds.

The YouTube video officially started.

”Wait, shockingly launched? Hey, what’s shockingly launched now, why don’t they even mention the book name, intentionally blurring it, damn it.”

Koizumi Katsuko no longer remembered she initially wanted to skip the ad.

Seeing the Scholastic Group’s commercial ending so abruptly, a huge sense of loss surged in her heart.

”Bang!” Upon that.

Miss Shengzi paused the main content of the video that had just started playing.

”Which team designed this advertisement?” She helplessly complained.

It seems the ad team deliberately induced people’s curiosity, only to mockingly tease them with ”Want to know? I won’t tell you.”

The close-up of the children’s book the little girl was holding only stayed in front of the camera for less than half a second.

The ad team even very mischievously applied a frosted texture filter over the lens, making it difficult to see the specific content and text clearly.

Koizumi Katsuko could only vaguely feel from vague impressions that it should be a cleverly designed illustration.

Yet it prevented her from seeing the specific content.

The advertisement had set all the atmosphere.

But in the end, it suddenly disclosed only a release date, letting viewers wait expectantly.

Too cunning!

Frankly, this is a classic example of creating a ”mysterious gimmick” used in advertising psychology.

Wealthy film industries rarely use this method; it’s more commonly employed by technology companies or fashion shows in their promotion campaigns.

Similar to how a major company often discreetly hints months before a release that they are about to unveil some ”epoch-making sensation.”

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