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The Versatile Master Artist

Chapter 341 - 190: Ascending to the White Clouds (Part 3) · Nov 04, 2026

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Chapter List (715)

Page number / 15

301 Chapter 301 - 174: New Mission 2026-11-04
302 Chapter 302 - 174: New Mission_2 2026-11-04
303 Chapter 303 - 174: New Mission_3 2026-11-04
304 Chapter 304 - 175: Momentum 2026-11-04
305 Chapter 305 - 75: Power (2) 2026-11-04
306 Chapter 306 - 175: Aura (3) 2026-11-04
307 Chapter 307 - 176: Base Map 2026-11-04
308 Chapter 308 - 176: Base Map 2 2026-11-04
309 Chapter 309 - 176: Underpainting 3 2026-11-04
310 Chapter 310 - 177: A Meeting of Minds 2026-11-04
311 Chapter 311 - 177: Kindred Spirits_2 2026-11-04
312 Chapter 312 - 178: Watching the Rain Together 2026-11-04
313 Chapter 313 - 178: Watching the Rain Together (2) 2026-11-04
314 Chapter 314 - 178: Watching the Rain Together_3 2026-11-04
315 Chapter 315 - 179: Experience Exchange 2026-11-04
316 Chapter 316 - 179: Experience Exchange_2 2026-11-04
317 Chapter 317 - 180: Technique Breakthrough 2026-11-04
318 Chapter 318 - 180: Technique Breakthrough (2) 2026-11-04
319 Chapter 319 - 181: Line Rendering 2026-11-04
320 Chapter 320 - 181: Line Rendering (Part 2) 2026-11-04
321 Chapter 321 - 182: Holding Hands 2026-11-04
322 Chapter 322 - 182: Holding Hands (2) 2026-11-04
323 Chapter 323 - 183: Lovers 2026-11-04
324 Chapter 324 - 183: Lovers 2026-11-04
325 Chapter 325 - 184: Inspiration 2026-11-04
326 Chapter 326 - 184: Inspiration (2) 2026-11-04
327 Chapter 327 - 85: Mrs. Sakai’s Shock 2026-11-04
328 Chapter 328 - 185: Mrs. Sakai’s Shock (Part 2) 2026-11-04
329 Chapter 329 - 186: Titans’ Gallery 2026-11-04
330 Chapter 330 - 186: Titans of the Gallery (Part 2) 2026-11-04
331 Chapter 331 - 187: Good Taste 2026-11-04
332 Chapter 332 - 187: Good Taste_2 2026-11-04
333 Chapter 333 - 188: The Grand Gift 2026-11-04
334 Chapter 334 - 188: The Grand Gift (Part 2) 2026-11-04
335 Chapter 335 - 188: The Grand Gift (Part 3) 2026-11-04
336 Chapter 336 - 189: An Incomplete Painting 2026-11-04
337 Chapter 337 - 189: An Inexperienced Painting (2) 2026-11-04
338 Chapter 338 - 189: An Immature Painting (3) 2026-11-04
339 Chapter 339 - 190: Ascending the White Clouds 2026-11-04
340 Chapter 340 - 190: Ascending to White Clouds (2) 2026-11-04
341 Chapter 341 - 190: Ascending to the White Clouds (Part 3) 2026-11-04
342 Chapter 342 - 191: Emotion Education and the Decision to Exhibit 2026-11-04
343 Chapter 343 - 191: Emotional Education and the Decision to Exhibit_2 2026-11-04
344 Chapter 344 - 192: Peacock 2026-11-04
345 Chapter 345 - 192: Peacock (2) 2026-11-04
346 Chapter 346 - 193: No Regrets and New Skills 2026-11-04
347 Chapter 347 - 193: No Regrets and New Skills_2 2026-11-04
348 Chapter 348 - 194: Association Member 2026-11-04
349 Chapter 349 - 194: Association Member_2 2026-11-04
350 Chapter 350 - 194: Association Member (3) 2026-11-04

”Professor Yajima! Professor Yajima!”

Hanks rushed out onto the street, but Uncle Sakai was already gone.

He took out his phone and began dialing Professor Yajima’s private assistant’s number. Before the call connected, Hanks waved down a taxi and instructed, ”Take me to Narita Airport.”

He couldn’t wait any longer.

Hanks wanted to fly over to meet Gu Weijing in person the moment he learned specific details about him.

...

Professor Yajima returned home and saw a message from his assistant on the social app LINE, revealing a smile as if he expected it.

He knew Hanks must be urgently trying to find him now.

Uncle Sakai only disclosed Gu Weijing’s age at the last possible moment, not to create some kind of dramatic effect for fun.

Uncle Sakai was already a veteran in the industry.

Whether it’s collectors buying art or agents signing artists, the more anxious the party trying to sign, the higher the cost they pay.

He deliberately made Hanks anxious, which highlighted Gu Weijing’s value even more.

It’s like when a real estate agent says after a certain time, if you don’t want it, I’ll sell it to someone else—the same principle.

Professor Yajima was willing to recommend Gu Weijing to Ma Shi Gallery, not just because Hanks happened to approach him today.

He had run through his thoughts and realized that Ma Shi Gallery’s situation really suited Gu Weijing well.

One’s poison,

another’s honey.

The Ma Shi Gallery, resembling a sinking ship to Professor Yajima, was perfect for that young man from Yangon to develop.

Even Gagosian couldn’t necessarily compare.

First,

Objectively, super galleries like Gagosian might not pay attention to Gu Weijing.

Geniuses are indeed rare, but super galleries already have many art stars; they don’t need you. Their scale doesn’t require gambling on the uncertainty of a genius’s success.

Uncle Sakai hesitated to sign with Gagosian,

because even if he joined Gagosian, it wouldn’t be junk but would still be small fry, sounding prestigious but not necessarily more comfortable than now.

Gu Weijing isn’t even considered a minor participant; compared to those big artists, his status is like a single hair, virtually nothing.

These grand galleries may have abundant resources, but used on you, it would be mere scraps left from art giants.

Uncle Sakai’s own OFA or Tokyo Gallery, which follows a boutique high-end route with only four or five agent artists, also shares the same logic; resources are all divided up.

He could leverage some connections to secure a fresh artist contract for Gu Weijing without difficulty.

But this might not be the best for Gu Weijing.

Ma Shi Gallery, in its desperation, signed nearly two hundred people, almost becoming an industry laughingstock, yet that’s precisely where monkeys can rule when there are no tigers in the mountains.

Without so much hierarchy, talented young people can stand out more easily.

Uncle Sakai regards Ma Shi Gallery as a little pond because he is Ichiro Sakai.

The weight difference between the names Ichiro Sakai and Gu Weijing in collectors’ minds is exponentially more significant than their weight difference.

Established grand galleries, no matter how fallible, can’t be compared to second-rate galleries.

Just the global art promotion and gallery fronts across five continents require decades of building a foundation.

What he sees as a small pond becomes a boundless ocean when Gu Weijing dives in, with vastness and endless opportunities.

”Winds rise and clouds surge, clouds surge and rise, stepping on white clouds.”

Uncle Sakai softly recited the famous lines of Shodai Yamashita, Japan’s poet saint, and smiled, ”Kid, the opportunity is there. Whether you can step on white clouds depends on your own luck.”

He timed it to exactly thirty minutes before finally connecting to Hanks’ call routed from his assistant.

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