Parallel World Light Novelist

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The third episode functioned as a transitional bridge in the narrative, focusing primarily on the metamorphosis of the protagonist, David, from a top-tier academy student into a member of a street gang.

While the Sandevistan implant he installed was indeed a memento from his late mother, it was revealed that she had actually sold the hardware to Maine before her untimely death. Maine, of course, was the muscle-bound juggernaut who had cornered David at the end of the previous episode. Having effectively stolen someone else’s property by implanting it into his own body, David found himself with no choice but to work off the debt to avoid being butchered for his chrome.

As fate would have it, David possessed a rare, innate tolerance for cybernetics. He was able to activate the high-intensity Sandevistan up to ten times a day without the immediate use of immunosuppressants. This extraordinary physical resilience caught the eye of Maine, the veteran leader of the underground merc group, who saw in David the potential to become their newest recruit. The plot development of an elite honors student descending into the life of a Night City edgerunner, living every day on the razor’s edge, was a direction that many viewers had not fully anticipated.

Within Maine’s crew, David found himself surrounded by the dregs of the city, crude individuals whose speech was littered with profanity and whose conversations revolved around the basest of topics.

Yet, beneath the rough exterior, their bonds were far more authentic and pure than anything he had known in the corporate world.

They fought side by side to complete dangerous contracts for mysterious fixers, whether it involved high-stakes assassinations, stealthy corporate theft, or acting as hired muscle. They were willing to take on any risk as long as the eddies were right. Through this process, the audience was introduced to a vibrant cast of teammates.

Pilar was the crew’s techie, a man with massive mechanical prosthetic arms and a mouth that never stopped running. He served as the group’s crude but essential comic relief. Beside him was his younger sister, Rebecca, a gunslinger who managed to be both adorable and utterly terrifying in a firefight. Dorio was Maine’s partner, a woman whose muscular physique and eight-pack abs commanded immediate respect. Kiwi operated as the team’s primary netrunner, cool and detached, while Falco served as their reliable, mustachioed getaway driver.

Finally, there was Lucy, who functioned as the team’s backup netrunner.

The entirety of the third episode was dedicated to the chemistry between David and this crew. It followed them through a series of missions as David learned to blend in, mimic their streetwise attitude, and eventually, become one of them. If you were to ask the audience what their primary impression of Cyberpunk: Edgerunners was by the third episode, the most common answer would be ”freshness.” While the plot of these early episodes wasn’t necessarily world-shaking yet, the character writing, the moral choices, and the general trajectory of the story were unlike anything previously seen in mainstream anime.

Up to this point, not a single ”traditionally good” person had appeared.

Was the protagonist a good person? Certainly not. A high school dropout who joins a violent criminal syndicate can hardly be called a saint.

However, David possessed an undeniable

charisma. Though he craved power, he refused to bully the weak. While he felt a lingering fear after his first kill, he was able to adapt by the second.

Then there was Maine, the leader of the pack. Although he had entered the story with a display of violence, pummeling the protagonist into the pavement, he proved to be an incredibly reassuring leader once he accepted David into the fold. He was powerful, fair, and fiercely loyal. As long as you completed the task, he wouldn’t withhold a single penny of your pay. After only a couple of jobs, David was earning more money than his mother had made in an entire year working as a sanitation technician for the police department.

With the conclusion of the third episode, the reputation of Cyberpunk: Edgerunners was officially cemented. While the first two episodes had been visually stunning, many viewers had been unsure of the overarching plot. The third episode made it clear that this was a classic rise to power story about David’s journey from a street-level nobody to a legendary edgerunner.

”It’s a bit of a shame, though. Why doesn’t this anime have any magical girls? Cyberpunk is cool and all, but it’s just not as exciting as seeing a magical girl story from Haruto.”

”You’ve clearly been corrupted by Madoka. Are you seriously hoping the protagonist transforms into a magical girl?”

”And why not? It would be the ultimate twist!”

”Stop joking around. Honestly, though, after watching these three episodes, I have to say the pacing is much tighter than Madoka Magica was at the start. The world-building and the sense of anticipation are top-notch.”

”That’s true. The rhythm is better, but Madoka had that massive turning point in episode three with Mami’s death. Edgerunners feels a bit more consistent and steady. It’s great, don’t get me wrong, but it hasn’t had that ’holy crap’ moment yet.”

”I agree. Madoka just got crazier and crazier with every episode after the third. Edgerunners started off strong and has stayed strong, but I’m not sure if it has that same explosive potential.”

”Hey, give it a break, you guys. Stop comparing every new work from Haruto to Madoka. How many anime in history can actually compete with a masterpiece like that?”

”We just want it to be good because the opening stats are so high! I really hope Haruto hasn’t peaked already. I don’t want Madoka to be the mountain he can never climb over again.”

”Yeah, as a creator, the greatest honor is making something like Madoka Magica at nineteen. But the greatest tragedy is spending the rest of your long career realizing that your nineteen-year-old self is a shadow you can never outrun.”

”That actually makes me feel a bit emotional. I was at my intellectual peak in high school, I knew everything about astronomy and geography.”

”Now? My son asks me for help with his elementary school homework, and even with a Master’s degree, I’m stumped! It hurts, man.”

”I really hope Haruto keeps up the momentum and delivers something that can stand toe-to-toe with his previous work.”

The next day, the viewership ratings for the third episode were released.

It pulled in a 4.35%, maintaining its position as the second-highest-rated show of the week, just as it had the week before. However, the top spot in the rankings had shifted. Terminal Descent has surged into first place.

Its third episode coincided with a major narrative peak and featured incredibly high-budget animation, causing its ratings to climb to 4.39%.

At this point, the fall anime season was being dominated by four ”heavyweight” titles.

As predicted before the season began, these four shows were in a league of their own compared to the rest of the competition.

While the two adaptations had the advantage of massive pre-existing fanbases, they had actually slipped to third and fourth place by the third week.

It wasn’t that the quality of these adaptations was poor, but rather that the early storytelling in Cyberpunk: Edgerunners and Terminal Descent was exceptionally compelling.

Because they were original works, they didn’t have to deal with nitpicking from ”source material purists.” On the Forums, the two shows held scores of 9.1 and 9.0 respectively, while Red Dragon and The Otherworld Reformer trailed slightly behind with scores of 8.7 and 8.8.

A pre-existing fanbase is a double-edged sword. Fans view an adaptation through a filter of expectations. A ninety-point animation might only look like an eighty-five to them. But if the quality drops even slightly to an eighty, the fans’ disappointment causes the score to plummet to a seventy or even a sixty.

The industry was buzzing with analysis regarding this situation.

”Red Dragon and The Otherworld Reformer are basically one-trick ponies,” one producer remarked during a lunch meeting.

”Both of those shows had budgets of over one billion yen. I don’t understand how they could struggle by the third week.”

”It’s the same old story. Remember that movie The Dragon’s Path that claimed to have a two-billion-yen budget? Turns out the lead actor’s salary took up 1.4 billion of it. It doesn’t matter how big the investment is if the money isn’t ending up on the screen.”

”To be fair, while the third episodes of those two shows were a bit more conservative, the overall quality is still quite high. But fans are fickle. Even if the quality drops from a ninety-five to a ninety, they’ll start leaving bad reviews, completely ignoring the sea of trash-tier anime that struggle to hit a thirty.”

”Regardless, Cyberpunk: Edgerunners is the one to watch. Even though it’s been in second place for two weeks, I personally think its story is the most engaging. Its only weakness is that the studio behind it is relatively small and lacks the massive marketing channels of the big three. It’s essentially carrying the entire weight of the production on Haruto’s name alone.”

This fall season was shaping up to be one of the most competitive quarters the animation market had seen in years.

Having four shows simultaneously breaking the 4% rating threshold was a rarity.

This sparked a media frenzy. Producers, writers, and voice actors from all four shows were making frequent appearances on talk shows and in magazines, engaging in playful banter as they vied for the title of the season’s champion. After all, the ”TV Anime of the Year” award was heavily influenced by these metrics. Viewership ratings were the ultimate manifestation of a work’s cultural impact. Since no other shows from the first half of the year had reached these heights, and the winter season was unlikely to produce a dark horse, the winner of this fall battle would almost certainly take home the gold at the end of the year.

Most importantly, last year’s winner was Haruto’s Puella Magi Madoka Magica. If he were to win again this year, he would set an unprecedented record: successfully defending the title of ”TV Anime of the Year”

If Haruto managed to pull this off, the ”Big Three” animation studios would see their industry influence significantly diminished.

With Haruto’s undeniable creative talent at the helm, it was only a matter of years before they grew into a new titan of the industry. This was the one outcome the Big Three found truly intolerable.

A few more days passed, and another Friday arrived. The fourth episodes of Red Dragon, Terminal Descent, and The Otherworld Reformer were broadcast in quick succession. However, unlike the previous week, the ratings remained largely stagnant. The shows pulled in 4.38%, 4.25%, and 4.27% respectively, almost identical to their performance the week before.

This suggested that the three shows had reached their natural ceiling.

As long as the plots didn’t take a nose-dive, their ratings would likely fluctuate within this specific range based on the excitement of individual episodes. They wouldn’t go much higher, but they wouldn’t drop much lower either. This was a pattern that both professionals and fans were beginning to recognize.

It was also a moment where everyone truly appreciated Madoka Magica’s later performance, which had soared past 6%. Madoka’s numbers were simply legendary.

Now, all eyes were on Cyberpunk: Edgerunners. Everyone wanted to see how the fourth episode would perform..

Would Haruto’s new work show an upward trend? Or would it settle into the same 4% bracket as its rivals, locked in a fierce, balanced competition for the rest of the season? Would it fail to replicate the miracle of Madoka, which began its ascent in episode three, exploded in episode six, and achieved ”masterpiece” status by episode nine?

Haruto’s fans were brimming with anticipation,

As for the rest of the industry, many of the smaller and mid-sized studios were secretly rooting for Haruto.

To them, Haru-Yuki Animation represented the possibility of success outside the shadow of the Big Three. They genuinely wanted to see Haruto continue to challenge the status quo and outperform the giants for another year.