Super Island Tycoon

You can’t install a camera at every angle on the filming site; the cost of such a setup is simply too high.

Even if you have enough money and a big budget, and you lavishly use a large number of cameras to shoot simultaneously, capturing images from all different angles.

But even so, it still cannot achieve true holographic filming because the images captured in this way are separate flat images.

Holographic filming requires a three-dimensional image, a dimensional gap that cannot be solved, not even by Jiang Cheng.

So, the only way is to fundamentally change the way of shooting, completely abandoning traditional cameras, to solve the problem of holographic filming.

Jiang Cheng plans to use an entirely new technology this time to bypass the limitations of dimension and achieve the goal of holographic filming.

Traditional cameras capture images by catching light through lenses, and since light spreads in all directions, it is difficult to record all the images.

If the light cannot be recorded in three dimensions, then bypassing the issue of light might accomplish holographic filming.

Jiang Cheng plans to completely disregard the direction of light and capture images without using light.

In this way, all the problems are perfectly solved, opening up another entirely new path.

However, this creates a new issue. Everyone knows that all movies, TV shows, or photos are made by recording the light from the objects to produce a final product.

If we forgo the light, these visual products wouldn’t exist at all, rendering any filming technique futile.

After all, light is the basis for humans to see everything. Without any light, human eyes can only perceive a field of darkness.

If humans cannot see anything, then holographic filming would just be a joke.

Trying to film without light is an extremely difficult task.

But Jiang Cheng is not afraid of such difficulties; for him, there are many ways to solve this problem.

On the current Earth, filming without light might only be a fantasy.

But in Jiang Cheng’s previous life, filming had long since moved away from light, with many machines recording images without relying on the outdated method of light collection.

Indeed, using light for filming is a very outdated technology, because light necessarily has distortion during its propagation.

Even the slightest impact can change the light, thereby altering the final image.

No matter how high-resolution the camera is, the images taken will still differ somewhat from reality. This is a problem intrinsic to light itself, and it cannot be solved through technological improvements.

The only solution is to completely abandon light to obtain the most realistic images. In Jiang Cheng’s previous life, this new method of filming was already widespread, and this method records images through scanning, using special magnetic fields to capture the essence of objects.

By using special magnetic fields to contact the molecular structure of objects and then carrying out image reconstruction, the most authentic representation of the object is finally obtained.

In simple terms, it directly scans the object, capturing its essence to construct the final image.

This magical scanning method involves directly scanning the entire object, eliminating the problem of two-dimensional or three-dimensional issues.

The scanned images directly form a three-dimensional holograph, without requiring further technical processing, thus achieving holographic filming.

Moreover, the images captured by scanning are absolutely more realistic than those filmed by cameras, and there will be no difference from the real objects.

Since Jiang Cheng already has a research direction, this research won’t be too difficult.

A few days later, Jiang Cheng completed all the work, and a machine taller than a person appeared on the laboratory platform.

This machine is precisely capable of holographic filming, and Jiang Cheng named it ”Holographic Scanning Camera.”

The Holographic Scanning Camera perfectly solves the problem of holographic filming and also has many advantages.

The use of this machine is very convenient. Just place it on the filming site, set the relevant parameters, and it can automatically record the scene’s images.

Moreover, there is no need to consider camera lens issues because images from any angle are captured.

The most important advantage is that this machine can completely disregard the filming environment.

Even when filming in a pitch-black room, it can capture the room’s images without lights, and the result is indistinguishable from when the light is sufficient.

Because this machine doesn’t operate by light, it does not require adequate brightness for filming.

Therefore, filming a movie becomes very convenient, with no need to consider lights or natural light influences; even on rainy days, it can produce a clear day effect.

After developing holographic filming technology, Jiang Cheng finally breathed a sigh of relief.

During this period, he has been endlessly busy, with not even a little time to rest.

From initially researching holographic projection technology to supervising the construction of the laboratory to unexpectedly starting research on holographic filming technology, there was absolutely no rest in between.

Work continued continuously like this; without Jiang Cheng’s superior physical condition, he wouldn’t have been able to persist.

Now that all ongoing tasks are completed, Jiang Cheng can finally take a break.

After completing the Holographic Scanning Camera, Jiang Cheng did not rush to announce this technology and let everyone know his success.

He plans to hide it for a while longer, letting those waiting continue to be anxious for some time.

Jiang Cheng is not doing this just to make people anxious; he has his reasons.

He wants this technology to make a big splash, appearing in the public’s vision in a dazzling way, ensuring everyone deeply remembers this technology.

This is mainly a setup for future events; he did not solely develop this technology to fulfill people’s desires.

Since he has spent so much time on it, it is only right to gain sufficient profit from it.

If after all this effort he still isn’t earning money, Jiang Cheng won’t engage in such a losing proposition.

Jiang Cheng wants to leverage holographic filming and holographic projection technologies to earn substantial amounts of money.

Currently, his target is the film market; there’s no place more suitable for holographic technology.

Jiang Cheng believes that as soon as holographic technology enters the film market, traditional films can be thrown into the garbage.

Since he wants to make money through this technology, he must properly showcase the potential of holographic technology.