Scarecrow

Bell came down from the Meridian on the nineteenth morning after the letters with the distance on a slate, and it was wrong.

Not her sum. The eater.

She put the slate down on the long table in front of Halvane, who’d come through from Thole for a night to sleep and hadn’t, and she didn’t say anything. She didn’t need to. Halvane read it the slow Aldri way. Then again. Then he put his long finger on the number at the bottom and held it there, as if that would keep it still.

“Six days,” said Halvane.

“Six days,” said Bell.

“Yesterday you said ten.”

“Yesterday it was ten,” said Bell. “It’s moving faster. It started in the night. It’s never done that before. Not once, in all the recordings.” She sat down. Very suddenly, the way Mother does. “Something’s pulling it.”

Nobody had to say what.

We all knew. We’d all sat at that table and heard Senna Thale read the Prime’s letter out loud. The phenomena can be guided. And somewhere in the Collective, in a long hall, a man who talks to the walls at night had found out that the Hedge had said yes to Thole, and Halvane was building an engine, and the world might leave.

He cannot carry the world.

He’d decided to make sure.

“How long do you need?” said Okafor.

Halvane didn’t answer for a long time.

“Seven,” said Halvane. “If nothing goes wrong. If the queens can sing the last chamber ready in two nights instead of four. If the miners can open the deep gallery under the third pit by hand, because we haven’t time to bring the cutters through.” He put his hands flat on the long table. “Seven. And something will go wrong. Something always goes wrong.”

“Then you’ve got six,” said Mother.

Halvane looked at her.

“You’ve got six,” said Mother again. She poured him a cup. Turned the handle round for Oona. “So you’d better do it in six. You’ll want to sit down for this one too.”

Halvane sat down.

I’ll put down the six days. All of them. Because I want it remembered what people did.

The first day, the miners of Thole went into the deep gallery under the third pit with picks.

Halvane needed it open. A long dark channel, four miles down, that the engine’s heat had to go through. The cutters that could open it in a day were on Ister. Bringing them through the arches, setting them up, sinking them down the shafts, would take three.

So Mira Tannock went down the third shaft herself, first, the way Teshen went down the ladder on Caddoc. With a pick. And four thousand miners went down after her.

They dug by hand. In the blue. Four miles under, by lamplight, in a heat that came up through the rock like an oven door left open. They sang while they did it. Mira says it’s what you do in a deep gallery when you’re frightened, and they were all frightened, so they all sang.

I went down on the first night with water. Dory came on the second with more. On the third, the eating hall woman from Ister came through the arch with forty of her cooks and a cart of bread and refused to stay on the surface, and went down the third shaft in a basket, very slowly, with her eyes shut the whole way, because she’d never been underground before and she said she wasn’t going to start looking at it now.

She fed four thousand miners at the bottom of a four-mile hole. Then she came back up and was sick, very neatly, behind the lip of the pit, and went down again.

The second day, the queens sang.

Halvane needed the last chamber ready. The heart of it, where the lumen burns. On Lantern, the queens had taken four nights over the heart. They’d sung it slowly, carefully, the way the Scarecrow queen puts back a mountain.

There wasn’t time for four nights.

So Dory asked them for two.

She asked them on the red glass, at dusk, with her glasses off and her hands flat. Every queen under Avalon. And every queen on Root, through the eldest. And Ysse, on Ithre. And Arreth, very far, under Ister, singing up from the bottom of a world that had never had anyone to sing for it before.

And Thole’s own queen. Who’d never sung an engine ready. Who’d never sung anything at all, Dory says, except fear.

They sang.

All night. And all the next day. And all the next night. So loud, Wren says, that the children on the eastern plain couldn’t sleep, and lay in their beds in the Lenn-woven houses with their soft ones and felt it in the floor. So loud that Thole’s thin red sun, Bell said, flickered.

On the morning of the third day, Dory came up from the red glass with her hands shaking and said: it’s ready.

Then she lay down on the porch in the sun and slept for nine hours with Sorrel curled up against her, and nobody woke her, not even Mother.

The third day, the Collective came.

Not the Refined. Not white ships. Grey ones. Big, slow, square, very heavy. Twelve of them. They came out of the dark past Thole’s sun and stopped there, a long way out, in a line.

Aune saw them first. From her Ceren, over the pits. She said on the band, very calmly, in the voice the Aldri pilots use: Twelve. Grey. Big. Not warships.

“What are they?” said Okafor.

Mira Tannock answered. From the bottom of the third shaft, on the old voice-piece. She’d come up to the gallery mouth to look.

“Ore ships,” said Mira Tannock. “Collective ore ships. The big ones. For the deep loads.”

Nobody said anything.

“They’ve come to wait,” said Mira Tannock. “For it to be over. So they can come down and collect.”

They sat there for the rest of the six days. The twelve grey ships. In a line. Not moving. Not speaking. Waiting for Thole’s sun to go out and the miners to go cold and the blue to be theirs.

I could have gone and stood beside them. All twelve. The way I did at Lantern.

I didn’t. I want that written down. Halvane said no, and Okafor said no, and Mother, at the long table, when I said I could, said: Is there anyone on them, love?

I looked. All the way down. There were. Crews. Ordinary ones. Ore men. Some of them with families on the inner worlds. Some of them, I think, with soft ones hidden in their bunks.

“Then leave them be,” said Mother. “Let them watch. Let them see what a family looks like.”

So I left them be.

They watched.

The fourth day, something went wrong.

Halvane said it would. It was the deep gallery. Four miles down, under the third pit, where the miners had dug by hand for three days and nights and opened it, nearly, to the place where the engine’s heat had to go. The last wall. A few yards of blue.

The last wall came down.

Not the way they meant it to. All at once. The rock above it moved. Thole was waking up, Halvane said afterwards; the engine under it was starting to turn, very slowly, the way Lantern’s did before it went, and the whole world was shifting its weight, the way you do before you stand up. And the old rock over the deep gallery, four thousand years of tunnels, shifted with it.

The roof came down.

On sixty miners.

I felt it. On the lip of the pit. Through the blue. Through Thole’s queen, who screamed.

I was there before I’d decided to be.

I’ll say what it was like. Because I’ve said I’ll put down everything, even the bad parts. And because Bell asked.

It was dark. All of it. The lamps had gone. The air was blue dust, so thick I could see it with my eyes shut. And the rock was everywhere, piled, moving still, settling, and under it, in it, between it, sixty people.

I could see them. All the way down. Every one. Sixty small bright shapes in the dark rock, some of them very still, some of them moving, some of them very faint.

I asked the rock to move.

It didn’t want to. That’s the thing about deep rock. It’s been where it is so long it doesn’t remember being anywhere else. It doesn’t hear you the way a stone on a shore does, or a wall, or a mountain the Scarecrow queen put back. It’s slow. It’s heavy. It’s asleep.

I asked it anyway. All of it. Every piece over every one of the sixty. To lift. Just a little. Just enough.

And it did.

Slowly. Very slowly. The way a very old man gets up out of a chair. And held. Up. In the dark. Over sixty people. With me under it holding it up, the way Mother held the houses’ ship on Root.

Then Dory was there. And Kyria, who’d come through the arch to Thole that morning to see the engine and had followed Dory down without asking anybody. And Mira Tannock, from the gallery mouth, with a lamp, running. And Abena, with Halloway’s bag, because Halloway was on Avalon and Abena was nearest.

They brought them out. One at a time. While I held the rock.

Dory carried the ones who couldn’t walk. Kyria carried the ones Dory couldn’t reach, two at a time, one on each shoulder, in her armour, up the long dark gallery to the shaft. Mira Tannock counted them. Out loud. Every one. The way Wren counts at the arch.

Fifty-seven, said Mira Tannock. Fifty-eight.

She stopped.

There were sixty.

I could see the last two. In the dark. At the very back of the gallery, where the wall had been. Where the rock was heaviest. Pressed into the blue, very small, very still.

One of them was moving. Just. The other wasn’t.

I couldn’t reach them. I want that understood. I was holding the rock. All of it. Over all the gallery. If I let go of any of it, it would all come down. On Dory, and Kyria, and Mira, and Abena, and the fifty-eight who were still on their way up the shaft.

I couldn’t let go.

“Dory,” I said.

She was already going.

She went into the back of the gallery. Into the place where the rock was heaviest. Into the dark. Where I couldn’t follow, because I was holding everything.

She got the one who was moving.

She brought him out. A young miner. Not much older than Corin. Blue dust all over him. His leg was wrong. He was crying. He was alive.

Then she went back for the other one.

I watched her go. All the way down. I watched her get to the place where the other one was, very small, very still, in the blue.

I watched her kneel down.

And put her hand on him.

And stay there.

She didn’t bring him out.

She stayed for a long time. Kneeling. In the dark. With her hand on him. I don’t know how long. Long enough that the rock I was holding started to hum in my hands, the way the arches did on the fifth night, when the dark turned towards me.

Then she came back. On her own.

“Dad,” said Dory. Very quietly. “You can let go now.”

I let go.

His name was Hesk Varro. He was seventy-one. He was Mira Tannock’s oldest friend. They’d gone down the third shaft together on their first day as miners, when they were fourteen, fifty-seven years ago. He’d volunteered for the deep gallery. Mira said he’d volunteered for every deep gallery for fifty-seven years, because he said the young ones should get to see the sun.

He’d been at the very back. At the wall. Where the heat was worst. He’d been the one swinging the last pick.

The roof came down on him first.

Dory said he’d already gone when she got there. Before I’d even lifted the rock. She said there was nothing to bring back. She said she knelt there anyway, with her hand on him, because nobody should be left at the back of a gallery four miles down in the dark on their own, not even for a minute.

The heroes aren’t always in time.

I’ve written that before. I keep having to.

Mira Tannock sat at the top of the third shaft with the fifty-nine all round her on the blue rock, and Abena going from one to the next with Halloway’s bag, and didn’t say anything for a long time.

Then she said: “He’d have hated that.”

Nobody asked what.

“Being the last one,” said Mira Tannock. “He always said, Mira, when I go, I want to go at the front. Not at the back. The front’s where it’s warm.” She put her blue hands over her face. “He was at the back. He was always at the back. He made everyone else go first.”

Then she got up. Because the engine wasn’t finished. Because there were two days left. Because, she said, Hesk would have hit her with a pick handle if she’d sat there any longer.

She went back down the shaft.

The gallery was open. That’s the thing. When the roof came down, it came down on the last wall too. And broke it.

The engine’s heat went through.

The fifth day, Halvane collapsed.

He’d been on Thole for six days without sleeping. He’d walked every gallery, every chamber, every shaft. He’d stood at the heart of the engine with Asha and Crane while the queens sang it ready and checked every sum himself, three times, the slow Aldri way. He’d sat with Mira Tannock at the top of the third shaft after Hesk Varro and not said anything, because he knew there wasn’t anything.

He went down at the lip of the biggest pit, at noon. All at once. Very tall, very old, folding up onto the blue rock like a bird coming down.

Ilas was there. She’d come through the arch that morning with a basket, the way she does now. She knelt down beside him. Very slowly. On her stick.

“You foolish man,” said Ilas. Very quietly. “You foolish, foolish man.”

Halloway came. Through the arch, at a run, with her sleeves rolled up and her bag. She knelt on the other side of him.

She was there for a long time. I watched her face. I know Halloway’s face. It went the way it goes in the long ward when something’s wrong and she doesn’t want anyone to see. And then it went another way. A way I’ve never seen it go.

She looked up at me.

“His heart,” said Halloway. “It stopped. For a moment. Before I got here. I can tell. There’s a mark.” She put her hand on his chest. “It’s going again. Strongly. As if nothing happened.” She looked at her own hand. “As if it mended itself.”

“Is that good?” said Ilas.

“It’s impossible,” said Halloway. “He’s very old. A heart that age stops, it doesn’t start again on its own. Not without me. Not without anyone.” She looked at me again. For a long time. “Lucas. What happened?”

I didn’t know what to say.

I knew what had happened. I’d known since Arreth said it, under the third city. When someone is named for you in love, you reach back down the name. The way you reach for the old ones in your house in the night and keep them from being tired.

Halvane isn’t named for anyone. But he sits on the bench between Kesh and Teo every morning. And Teo moves two of his arms. And Kesh calls him Grandad Halvane when he’s not listening. And every child in the house has his name on a list somewhere, in their heads, under ours.

I didn’t say any of that.

“I don’t know,” I said.

Halloway looked at me for a long time. She knew I was lying. She let it go.

She wrote it down, though. In the book she keeps. I saw her do it.

Halvane woke up an hour later. On the blue rock. With Ilas holding his hand and Halloway glaring at him.

“Is it finished?” said Halvane.

“You died,” said Halloway.

Halvane thought about that.

“Is it finished?” said Halvane.

“Nearly,” said Asha. From the edge of the pit. “Tomorrow. At dawn. If nothing else goes wrong.”

Halvane closed his eyes.

“Then I’ll be at the stern,” said Halvane.

“You’ll be in a chair,” said Ilas.

“I’ll be in a chair at the stern,” said Halvane.

Rory brought the chair. Through the arch. That afternoon. He’d planed it twice.

The sixth day, Thole went.

Dawn. Thole’s dawn. A red smear on a cold sky. The last one.

The eater was there. You could see it now. Not as a shape. As an absence. Over half the sky, on the far side of the thin red sun. A dark where the stars had been, very large, very close, closer than it had ever been to anything I’d stood on. Bell said it would reach the sun by noon.

I asked the stars. At the lip of the biggest pit, before the count, with my hands on the blue. Two hundred and eighty-three. Down the Hedge, one at a time.

Not yet, they said. Not yet. Not yet.

And then the last one. Thole’s sun. Very faint. Very red. Very frightened. It had been saying please, not yet every morning since I first asked it.

It didn’t say that this time.

Now, said Thole’s sun. Go. Take them. Go now. I will hold it as long as I can.

I didn’t know a star could do that. Hold anything. Bell says she doesn’t either.

Thank you, I said.

Thank you for asking, said Thole’s sun. Nobody ever did before you.

Dory held the line.

From the lip of the biggest pit, this time. Not from the red glass. She said she wanted to be on Thole when it went, the way Halvane wanted to be at the stern. She stood at the edge of the three-mile drop with her glasses off and her black eyes open and her hand out flat into the air, as if she were resting it on the back of something very large.

Halvane was in his chair. At the stern. Which on Thole is the lip of the third pit, where the deep gallery is, where the heat goes through. Ilas beside him. Mira Tannock beside her. And the last of Thole’s miners all along the lips of all the pits, the ones who’d stayed to dig, four hundred thousand of them, standing, with their picks.

Aune was over us, in her Ceren, with the other nine.

The twelve grey ships were in their line. Out past the sun. Watching.

“Tell them,” said Halvane. To Dory.

Dory told them.

The engine turned over.

It wasn’t like Lantern. Lantern’s engine turned over under a lake, and the lake went flat, and gold light came up out of it. Thole’s engine turned over under four miles of blue rock, and the whole world rang.

Like a bell. Like a pick on stone. Like every shaft on Thole banging on the rock at once, the way they did when Mira Tannock spoke to the white ships. A sound that went through everything, through the pits and the galleries and the miners’ boots and up into the cold sky.

And the blue lit.

All of it. Every vein. Every seam. Every river of lumen in the rock, as far down as anyone had ever dug and further, lit up from inside, very bright, very blue, all at once, so that from Aune’s Ceren, she said, Thole looked like a world made of light.

The miners on the lips of the pits started to bang their picks on the rock.

Slowly. All together. Like a heartbeat.

The way you do when someone’s been brought up alive.

And Thole went.

Its thin red sun stayed where it was. With the dark coming over it.

I looked back. I couldn’t not. Over my shoulder, from the lip of the pit, as Thole went, as the stars all round us smeared and stretched and changed. I saw the thin red sun. Very small. Very far. Very brave.

And I saw it hold.

For a moment. Just a moment. The dark came over it, the way it came over Lantern’s old sun, like a tide over a lamp on the sand. And the red didn’t go dim. Not straight away. It burned. Brighter. Brighter than I’d ever seen it, the whole time I’d been on Thole. A small red star burning as bright as it could, as long as it could, with the dark closing over it.

For about as long as it takes to say good morning.

Then Thole was somewhere else.

Somewhere warm.

That’s what I want written down. Not where, exactly. Halvane and Bell have the numbers. A star inside the Hedge, two worlds over from Caddoc, that’s always been there and never had anyone under it. Not a red one. A yellow one. Large and steady and warm.

The miners of Thole came up out of their pits that afternoon and stood on the blue rock in the sun.

Warm sun. On their faces. For the first time in four thousand years.

They didn’t say anything. Not for a long time. They just stood there, four hundred thousand of them, on the lips of the pits, with their picks in their hands and their faces turned up.

Then Mira Tannock sat down on the blue rock. Very suddenly. The way Mother does.

And cried.

The twelve grey ships went down to where Thole had been, that afternoon.

Ilka heard it. On the bands. On the ore ships’ own band, which isn’t hidden, because ore men never think anyone’s listening. She played it for us at the long table that night.

It was a man’s voice. Ordinary. Tired. The captain of the first ore ship.

Thole control, he said. Thole control, this is ore fleet nine, come in. We’re at the coordinates. We’re ready to begin.

A pause.

Thole control. Thole control, come in.

A longer pause.

There’s nothing here, said the captain. There’s nothing here. The star’s gone dark and there’s nothing round it. Thole’s not here. There’s no world here at all.

Another voice. From another ship. Younger.

Where did it go?

The captain didn’t answer for a long time.

Then he said, very quietly, on a band he didn’t think anyone was listening to: He carried it.

Mira Tannock asked Ilka to play it again. Three times.

The third time, she laughed. Out loud. At the long table. With her blue hands flat on the wood.

“He carried it,” said Mira Tannock. “Hesk would have liked that. He’d have liked that more than anything.”

We came home through the arch at dusk. Dory and me. Onto the red glass.

Mother was there. With her shawl round her and the pot in her hand, because she’d known when we’d come, the way she always knows. And every child in the house behind her, with a C. on every wrist.

She didn’t say anything at first. She just looked at us. Both of us. All the way down, the way she looks, which isn’t the way I look, but finds more.

“You came back,” said Mother.

“We came back.”

“Both of you.”

“Both of us.”

Mother nodded. Then she put the pot down on the red glass, very carefully. And put her arms round Dory.

Dory hadn’t cried. Not on Thole. Not at the back of the gallery, kneeling. Not at the top of the third shaft with Mira Tannock. Not when the world rang and the blue lit and the warm sun came up.

She cried on the red glass. In Mother’s arms. With Sorrel holding onto her coat from behind, and the whole house standing very still.

“I couldn’t bring him,” said Dory. Into Mother’s shoulder. “Gran. I got there and he’d already gone. Before Dad even lifted it. I couldn’t bring him.”

“I know, love.”

“He was at the back,” said Dory. “He was always at the back. He made everyone else go first. And I got to him last.”

Mother held her for a long time.

“You got to him,” said Mother. “That’s the part. Nobody’s ever been left alone at the back of anything in this family, and he wasn’t either. You knelt down with him. In the dark. You stayed.” She pulled back, and held Dory’s face in her hands. “That’s not getting there last. That’s getting there.”

Dory didn’t say anything. She put her face back down on Mother’s shoulder.

Sorrel, behind her, very quietly, licked her thumb. And wrote on the back of Dory’s hand, in the ink still on her own wrist, rubbed across, smudged, nearly unreadable:

H.

“So we don’t forget him,” said Sorrel. “Even though he’s not coming back. So he’s on somebody.”

Dory looked at the letter on her hand for a long time.

She didn’t rub it off. She hasn’t yet.

The other things. The way I do.

Hesk Varro is buried on Thole. At the top of the third shaft. Under the warm sun. Mira Tannock asked for it. She said he spent fifty-seven years at the back of the gallery so the young ones could see the sun, and he was going to see it now, every day, for ever, at the front.

The miners put a pick on his grave. Upright. And every morning, when the warm sun comes up, one of them goes and bangs it on the rock. Once.

Mother poured a cup out on the ground beside it. Nobody asked her to.

The young miner Dory brought out is called Teo. He’s fourteen. His leg’s mending; Abena set it. He says he’s going to be a miner when it’s better. He says he’s going to swing the last pick, one day. At the back. Like Hesk. Our Teo says that’s a very good name for someone who swings the last pick. The two Teos have met. They compared arms. Ours has more.

The soft Thole came out a week later. Of course. A blue world, the size of a melon, with a little yellow sun on a stand beside it. When you press the sun, the blue lights up. All of it. Every vein.

The card says: He carried it.

Mira Tannock says the ore men will have to buy their lumen from the Hedge now, at whatever price the Hedge says. She says the Hedge is going to say a fair one. She says that’s going to be the cruellest thing anyone’s ever done to the Collective, and she’s going to enjoy it every day.

Brom’s mother came through the arch from Thole the day after it moved. She’d been one of the four hundred thousand who stayed. She’d been at the lip of the second pit with her pick when the blue lit. She found Brom in the Lenn-woven houses on the eastern plain, with Ebb’s granddaughter’s family, at the table, eating, with his two blue soft ones on the bench beside him.

She didn’t say anything. She just stood in the doorway.

Brom looked up. And put his spoon down. And said, very seriously, the way he says everything: “Did he carry it?”

“He carried it,” said his mother.

Brom nodded. Then he got up and went to her and held on, and didn’t let go for a long time. Ebb’s granddaughter says she poured a cup out on the ground by the door while they stood there, because it seemed like the thing to do.

Halvane is fine. Halloway says he isn’t, he’s very old and his heart stopped and he should be in a bed for a month. Halvane says he’s fine. He’s on the bench at the long table every morning between Kesh and Teo, the way he always is. Kesh calls him Grandad Halvane to his face now. He pretends he doesn’t hear.

Halloway has a page in her book. She showed it to me, last night, on the porch. It has a list on it. Halvane, at the top. Under that: Holt, who has the heart of a man of forty and has had it for longer than he should. Mother, who’s older than anyone in the orphan halls ever got to be and doesn’t feel it. Kwame Osei, who still digs at an age when men don’t. Old Efua. Kyria. Taveth. Rory. Maura. Every grandparent in the house, and every one we count as ours.

At the top of the page, she’s written one word, and underlined it.

Why?

I didn’t answer her.

She didn’t ask.

She just put the book away and sat with me on the porch until the lamp went out.

Corvan hasn’t answered May we?

Every child in the house still writes C. on their wrist in the mornings. Mother still leaves the pen by the bread.

The stars said Not yet this morning. Two hundred and eighty-three.

Thole’s new star asked to be on the list. Wren wrote it in.

Two hundred and eighty-four.

Days 9701–9726. He Cannot Carry the World.

Bell, the nineteenth morning: six days; it’s moving faster; something’s pulling it. Halvane: seven, and something always goes wrong. Mother: then you’ve got six; you’ll want to sit down. The first day the miners dug the deep gallery by hand, four miles down, singing because they were frightened; Mira first down the shaft; the eating hall woman went down in a basket with her eyes shut and fed four thousand and was sick behind the lip and went down again. The second day every queen sang the heart ready in two nights instead of four, Arreth from under Ister, Thole’s own queen singing something other than fear for the first time; Dory slept nine hours on the porch. The third day, twelve grey ore ships came to wait; is there anyone on them, love? then leave them be; let them see what a family looks like. The fourth day the roof came down on sixty; I held the deep rock up like an old man getting out of a chair; Dory, Kyria two at a time, Mira counting, Abena with the bag; fifty-eight; I couldn’t let go; Dory brought out the one who was moving and knelt by the other and stayed; Dad, you can let go now. Hesk Varro, seventy-one, Mira’s oldest friend, at the back swinging the last pick; he always made everyone else go first; the front’s where it’s warm. The heroes aren’t always in time. The wall broke and the heat went through. The fifth day Halvane went down at the lip like a bird; Ilas: you foolish man; Halloway: his heart stopped, and mended itself; impossible; Lucas, what happened? I don’t know. She wrote it down. You died. Is it finished? A chair at the stern; Rory planed it twice. The sixth day: Thole’s sun: now; go; I will hold it as long as I can; thank you for asking. Dory held the line from the lip; four hundred thousand miners with their picks; the world rang like a bell and every vein of blue lit; the picks on the rock like a heartbeat; Thole went; the red sun burned brighter under the dark for as long as it takes to say good morning. A yellow sun two worlds over from Caddoc; warm on their faces for the first time in four thousand years; Mira sat down suddenly and cried. The ore fleet at the coordinates: there’s nothing here; where did it go? He carried it. Mira laughed: Hesk would have liked that. On the red glass, Mother: you came back; both of you; Dory cried at last: I couldn’t bring him; Mother: you got to him; that’s not getting there last, that’s getting there. Sorrel wrote H. on Dory’s hand, so he’s on somebody. Hesk buried at the top of the third shaft, at the front, a pick upright, struck once every morning. Teo the young miner, fourteen, will swing the last pick one day; the two Teos compared arms. The soft Thole: press the sun and every vein lights; He carried it. The Hedge will name a fair price. Grandad Halvane. Halloway’s page: Halvane, Holt, Mother, Kwame Osei, old Efua, Kyria, Taveth, Rory, Maura, every grandparent we count as ours; at the top: Why? I didn’t answer; she didn’t ask. Two hundred and eighty-four.